Daisy Edgar-Jones is actually whipping up a clothing surprise. The actress has made it her mission to raise her tone page with support from Gucci, Chloé, and other designers while promoting her organic crisis thriller this month. And for her last act, she completed the trend of wearing a naked dress half in a day.
Tuesday, July 18, Jones popped by Midtown to report her portion on The View. While heading inside the place, she arrived, caffeine in side, dressed in an two-piece search from the Chloé Fall 2024 airport. A ruffled mini skirt and a long-sleeved dress with matching wide-leg trousers were included in the complex see-through range.
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Dressed by brand artist, the actress accessorized the assertion group with black sunglasses, a thick gold pendant necklace, and buttery tan over-the-knee leather boots, even by Chloé.
But Jones’s sheer dominance did n’t just start yesterday. The night before, the 26-year-old performer was photographed in the Upper West Side, swapping out her baby blue for yet another large gown—a skintight black from the 16Arlington Fall 2024 set.
She changed her dress in a see-through dark 16Arlington gown after three different outfit choices for the day.
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A full-pleasant trousers and a drop-waist pure bodice graced her gown. She completed her all-black look—also styled by Michelle—with a little Gucci Horsebit make case, Coperni Orchestra feet, and black Gucci glasses.
Call Jones’s choice in all things loose and sheer an ode to”” ( her character in Twisters, Kate Cooper, chases tornadoes ), but there’s no better way to channel the literal “windswept” look than with the —one that has taken over celebrity style on and off the red carpet over the past couple of years.
For the Twisters media tour, Jones and Michelle have used a variety of silhouettes to achieve the desired result, from large blazers and irregular gowns to split bralettes galore. Jones added two more empirical looks to her wardrobe, including a bright light ensemble and padded wool mini dress by Victoria Beckham.
The American actress tapped the “barely-there” pattern last year, wearing a large sweater with a lace bralette and a decorative midi skirt.
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But there’s something about the nearly-naked feeling that best encapsulates her picture. Last year, on July 9, for example, the American artist was spotted off-duty in London, tapping the pattern via a by Gucci. A fabric bralette was hidden underneath it and tucked into a floral-studded midi scarf.
With Storms actually hitting venues now, July 19, Jones’s hit circuit storm is just about to crack. Her effortlessly “gusted” looks over the weeks will live on as one of the best ( and most subtle ) nods to her film.
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