In the world of clothing, we hold specific truths to be personal- visible. A little black dress will never go out of fashion, for starters.
The Orange County Museum of Art in Costa Mesa exhibits a collection of Yves Saint Laurent black cocktail dresses and night gowns as examples of how the dresses have a timeless quality. The clothing is piece of OCMA’s newest show, “Yves Saint Laurent: Line and Expression”.
Heidi Zuckerman, the OCMA’s chief executive and chairman, wore her own dark move with a cold shoulder information to a demo of the show on June 27.” Everyone knows the little black dress,” said Heidi Zuckerman, the organization’s executive and director. It all begins with Yves Saint Laurent, which is one of the items that we take for granted in modern society.
Manufacturers like Laurent are responsible for carrying on Coco Chanel’s tradition, despite the origin of the little black gown.
“This kind of meditation on black that occurs below alters your view based on the length of the sleeve, whether there is one, or on whether the material is, how fitted or free they are,” he said. These various gestures represent like considerable ones that tell a wide range of stories, according to Zuckerman. Being able to see them all together is what demonstrates the designer’s extraordinary degree.
Curated by Olivier Saillard and Gaël Mamine, “Yves Saint Laurent: Line and Expression” opened to the public Wednesday and attributes a gold mine of classic pictures, photographs, jewellery and parisienne couture garments ranging from 1963 to 2001 from the classic couture. There are 46 appearance in full. Zuckerman first saw the present while on holiday in Morocco at the Musée Yves Saint Laurent Paris and the Musée Yves Saint Laurent Marrakech, both of which are responsible for the show.
When I saw it, Zuckerman said, “I thought this display has to come to the Orange County Museum of Art.”
Given that Yves Saint Laurent was the first luxury company to visit South Coast Plaza, which is located just across the street, it seems appropriate to place the native exhibition there. It made its debut at the Orange County shopping district in 1982, a defiant walk that may have inspired other fashion houses to delve into the area, contributing to making the area’s medina what it is today.
It also serves as a fitting illustration of the link between style and art.
“I was particularly drawn to this museum because it demonstrated how talented a architect Yves Saint Laurent was. Many artworks and painters also work with drawings, which Zuckerman said, and that is how many of his paintings also do.”
According to some, the creator’s designs are what prompted Christian Dior to employ him as an aide in 1955. In the exhibition, Saint Laurent’s black pen or pencil sketches are displayed in flimsy loop notebooks as well as framed, some with fabric samples swatches pinned to their corners. All of these are artistic creations.
Some of the pictures are also displayed as mock-up garments, on exquisitely posed Schläppi mannequins, which highlight tall silhouettes and refined lines that the Bowers Museum became famous for.
A number of the tuxedo-inspired “Le Smoking” creations are even standouts, demonstrating how Saint Laurent advanced a fashion truth that requires women to wear trousers and pushes the boundaries of men’s wear. We see Saint Laurent make the suit feminine in a variety of ways, including velvet collar, organized silk jackets, and personalized pants.
Besides pictures and versace, there are also jewelry and accessories on screen. Stone and copper necklaces resembling volcanic rocks from the spring-summer 1986 collection are placed next to rose-colored glass earring entwined with cable details from the spring-summer 1988 collection. It’s like seeing a 3D version of a fashion journal while browsing through the show. Each site has a change of the page, and each page is wearable art.
“People view style runway shows and believe that the pieces are more of a work of art than they are of use. Component of that is how body complete clothing, but clothing also emphasizes our individuality,” said Zuckerman. That, in my opinion, is one of the things that makes art and fashion so close together.