The Atonement Dress For Alexa Chung is recreated by Ninsi Dojaka

Alexa Chung is again from, but it’s not her novel that are creating column feet. Instead, she chose to wear a smooth clean slip to London’s Helical summer party as the charismatic Cecilia Tallis in Atonement made a amazing appearance.

Alternatively of Knightley, who is doing the, adopted the royal style of Tallis by way of Nensi Dojaka. “Alexa came to us with the image of Keira in the movie as an inspiration”, says the Albanian-born, London-based artist, who simply skipped a show time to develop her lingerie-meets-tailoring statement. “We adore this film and that outfit. It felt correctly for the occasion”.

For Chung’s element, she had Dojaka on the head after wearing one of the Fashion East alumni’s personal spliced-and-diced gowns as part of her. She praised the brilliant, jewel-toned tone that was the hardest part of the committee, saying, “I liked the idea of wearing the same dress, which is very particular to me, but in a color I’ve always adored but seldom seen replicated.”

Dojaka landed on a silk, which is a rarity for the brand, and experimented with both the bright and taupe sides of the fabric to highlight the panel-like finish of the original to sound the depth of that arresting hue while also invoking the lightness that is associated with it. Using the cherry-red seem Mariacarla Boscono wore to shut the as the framework, Chung’s wisp of a gown features the exact underwear-inspired straps that hold the curtains and curls on the body. Nensi accepts the challenge without second thought because “we chose this particular pattern because it resonated the same feeling.”

The movie appearance, which is set in the era of Atonement, is really aeons removed from that of the film industry. In that heartwarming collection scene, Knightley’s beguiling gown was actually much more low-cut than the current uniform. The backless powerhouse piece, which was dyed that particular Pantone shade to symbolize the jealousy of Cecilia’s sister Briony ( played by a precocious, award-winning Saoirse Ronan ), still finds its way on fashion moodboards today thanks to costume designer and director Joe Wright and it paid off. Another slam-dunk from Chung, who is engaging her internal influence on the, and Dojaka, an economy favorite who, like all youthful designers, is swimming against the tide of a rainy time in wholesale.